One of those films that for a long become old seemed as even if it would get some kind of sequel, prequel or continuation is 2007's I Am Legend. The film, which was based on a 1954 novel of the same declare by Richard Matheson, grossed on top of $585 million worldwide. Despite living thing that successful, a sequel never materialized (yet). As in the distance as the film's director Francis Lawrence is concerned, that was ultimately for the best. He recently spoke virtually the possibilities and why I Am Legend didn't dependence a sequel, saying:
[The studio] was really, really, in point of fact into coming occurring when something, and I just didn't know how to pull off it. I motto completely speedily after the movie came out, and I went, 'People went to go see the last man on earth. We've finished the last man on earth. He died at the end of the movie, we can't pull off it again.' But people weren't in love when him as a character. It's not Indiana Jones, when this kind of iconic tone that you just desire to see once again and once again and again.
I Am Legend felt right as a standalone movie, and Francis Lawrence hits the nail on the head as to why a continuation wouldn't in point of fact work. It is unsurprising to listen how much Warner Bros. wanted a sequel to the film; it was completely successful, after all, and starred bonafide movie star Will Smith. But I think the profundity in coming occurring when an interesting acknowledge is the completely reason a sequel is unnecessary in the first place. As Francis Lawrence told MTV's glad sad dismayed Podcast, it would have felt forced.
A sequel wouldn't have followed Will Smith's Robert Neville, who died in the first film, as a result some real narrative gymnastics would dependence to be performed to bring him back, and it would have felt somewhat dumb. It's a "last man on Earth" story, and without that format, it's just marginal credit of The Walking Dead. And when Francis Lawrence said, Robert Neville is not Indiana Jones. He is not the kind of tone that you desire to follow once again and again. He is primarily compelling because of the business he finds himself in. Francis Lawrence plus touched on the possibility of a prequel and why that wouldn't affect either, saying:
It just felt provoked to pull off a prequel. We would have been affect Contagion. And to pull off something that's a follow-up either doesn't have him in it, or you have to pull off something in point of fact dumb, which is, you know, 'Scientists have taken his DNA and reanimated him somehow And that would have been in point of fact dumb, and as a result I just kind of bowed out.
Indeed a prequel focusing on the genesis of the virus would have been just when Contagion or any supplementary pandemic movie that has been finished before. In this age of blockbusters and franchises, it is cool to listen Francis Lawrence using rational reasoning for why I Am Legend didn't spawn a sequel or prequel, and why he wouldn't be part of one. There simply wasn't a credit worth telling. If deserted that logic governed more film industry decisions. The film stood on its own, and even if Francis Lawrence would go urge on and change some things virtually I Am Legend, making a sequel or prequel isn't one of them. It would be good if more huge budget fare and adaptations happened these days without the intent of extending it into a series, franchise or cinematic universe.
The 2007 I Am Legend starring Will Smith is actually deserted one of four film adaptations of Richard Matheson's novel. The ending was the most divisive aspect of Francis Lawrence's film in how it differed from the novel, and there is even an alternate ending friendly on the house video release. I imagine that eventually we'll see marginal ahead of its time adaptation of I Am Legend that hews closer to the source material. If Warner Bros. makes marginal I Am Legend, hopefully it is a full reboot on the other hand of a pain to piggyback off a ten-year-old movie. The credit is an inherently compelling one and could be told completely differently if finished again. As for Francis Lawrence, the director is adjacent tackling Red Sparrow, an adaptation of the spy novel by author Jason Matthews. Red Sparrow hits theaters on March 2.
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