SPOILER WARNING: The in imitation of feature contains spoilers for some of the movies discussed. If you haven't seen everything upon the list, right to use at your own risk!
In tardy November, I made a discovery. In my quest to try and look as many other releases as I possibly could throughout the year - something I look as a professional liability - I noticed that there was one particular type of film of which I watched quite a lot: sequels. in imitation of some exception, to that lessening in the year I had seen nearly all widely released follow-up to arrive out in 2018, and I fixed to make it a mission to answer the list.
Now it's other Year's Eve, and not abandoned am I declaring mission accomplished, but I am celebrating in imitation of this feature. under I have assembled a list of all prequel, portion two, portion three, and more than that was shown in 2,000-plus domestic theaters this year, and I have ranked them in order of vibes - along in imitation of my own brief thoughts. Scope out the list below, and look if you can guess the summit 5 since getting there!
37. Fifty Shades FreedTalk very nearly dying in imitation of a whimper. The Fifty Shades movies were rationally assaulted from the begin (with utterly fine reason), and the sequels did absolutely nothing to gain the legacy. James Foley's Fifty Shades Freed sees not abandoned the tepid/subtly hostile/abusive relationship in the midst of Anastasia (Dakota Johnson) and Christian (Jamie Dornan) continue in imitation of a wedding, but is jammed full of plot courtesy of a helpfully psychopathic ex-boss (Eric Johnson). This capper helps fulfill this series' ultimate destiny to be abandoned rediscovered in the far along as a trilogy box set found in a contract bin.
36. The Strangers: Prey At NightThis is a sequel made thanks to the fact that its predecessor spent a decade building a modest cult audience, but Johannes Roberts' The Strangers: Prey At Night is a movie that will abandoned really fascination to those who have a genuine affinity for the original's answer nonattendance of any nice of story. The follow-up is basically identical to The Strangers, in imitation of the similar killers helpfully going after unorthodox random intimates that happens to be home, and it too utterly lacks any nice of compelling twists or interesting narrative developments. At the utterly least there's no contract of a Strangers 3.
35. The Cloverfield ParadoxBoy did the Cloverfield franchise shit the bed here. in imitation of 10 Cloverfield Lane, it seemed in imitation of the brand had hit upon an ingenious idea: develop chilly and indigenous sci-fi features anthology-style that can be marketed as portion of a known property. Julius Onah's The Cloverfield Paradox ruins this by both failing to acknowledge proper advantage of an awesome concept (traveling in the midst of alternate universe), and needlessly using the version to try and tell the undertakings of the indigenous Cloverfield. What in imitation of had in view of that much contract now appears to be basically dead in one fell swoop -- and it utterly wasn't helped by Paramount dumping it to Netflix and hyping it as a post-Super Bowl release.
34. The PredatorThe Predator franchise is not exactly one in imitation of a sparkling reputation in imitation of it comes to sequels, but all the pieces seemed right in the making of The Predator. An awesome writer/director (Shane Black), and a fabulous ensemble cast (Boyd Holbrook, Keegan-Michael Key, Sterling K. Brown, Olivia Wilde, and more) should have resulted in some R-rated awesomeness, but this was a sincere disappointment. In all the wrong ways it feels in imitation of an pretend movie trapped in a different era, and is abandoned occasionally benefited from Black's well-established and razor bright wit.
33. OverboardRob Greenberg's Overboard sneaks its habit upon to this list answer that the movie references the undertakings of 1987's Overboard as canon -- all that's needed to qualify as a sequel -- but it doesn't wind happening in imitation of incredible placement. while it's still not clever to shake the "Gaslighing Comedy" brand, it makes fine use of the gender swap, and gets enjoying clever performances out of leads Anna Faris and Eugenio Derbez. Unfortunately, it's also still quite lame, and has decades-old sensibilities that just don't really click anymore.
32. Insidious: The Last KeyIt's a shame that James Wan has never completed a trilogy, because the Insidious features got off to a great begin in imitation of the first two. Insidious: Chapter 3 sadly bucked the trend, practicing clichs then again of trying to get something new, and sadly Adam Robitel's Insidious: The Last Key is more in heritage in imitation of its short predecessor than Wan's contributions. There are some fine scares, and even some unquestionable creature design, but it's also a letdown as a franchise finale.
31. Mamma Mia: Here We Go Again!Ol Parker's Mamma Mia! Here We Go Again! is a movie made to pretend to a specific audience: namely the audience that really loved the first Mamma Mia. It takes a real recognition of Abba to sit through this material, and keeping in mind that this is an aspire list, I have never been one to have those feelings. It isn't all bad, as there is a collection of utterly charismatic and fun movie stars featured partying in the Greek islands, but for someone who isn't into the music it's a chore to sit through the endless musical sequences.
30. The girl In The Spider's Web: A other Dragon Tattoo StorySony went into overdrive in 2018 trying to utilize its brands (with a special inflection upon Spider-Man), and we'll be talking very nearly their movie's throughout this list, but arguably Fede Alvarez's The girl In The Spider's Web: A other Dragon Tattoo version is the biggest disappointment. Claire Foy does a capable job as the edgy hacker Lisbeth Salander, but the material is airdrome bookstore quality. Alvarez, who has both Evil Dead and Don't Breathe upon his resume, can get a lot bigger than this.
29. Sherlock GnomesIn ill will of all its kitsch, Gnomeo & Juliet was a surprisingly delightful film, and a fair amount of its cuteness spills into John Stevenson's Sherlock Gnomes -- but not quite enough. In the similar habit the indigenous treated Shakespeare, there are a number of delightful nods and Easter eggs to the history of London's most well-known consulting detective, but the plot is lacking even by kids' movie standards. Nobody was expecting a lot from this one, but you don't acquire other points bustling happening to low expectations.
28. The Equalizer 2Denzel Washington had never signed upon to a sequel since deciding to make Antoine Fuqua's The Equalizer 2 -- and to his credit, the decision made sense. The first was a box office hit, and the version presented an opportunity for the vibes to return. Sadly, the end consequences is not really worthy of Washington's greatness. while the star is still interesting as the helpful-but-stern Robert McCall, the plot is nothing we haven't seen a thousand grow old before, paired in imitation of utterly obvious twists. It does have a unique finale, set in an abandoned coastal town during a hurricane, but it's not acceptable to flatter the full piece.
27. Super Troopers 2The long suspend waiting for Jay Chandrasekhar's Super Troopers 2 was always going to hurt the end experience watching it. After all, its material best plays to an immature audience, and 17 years is a lot of grow old for an audience to mature. There are utterly some hilarious bits, it's the rare sequel that can make the majority of its callbacks work, and it's utterly consistent, but it's also pretty damn stupid, and not anywhere close as (surprisingly) structurally strong as the first.
26. The NunNext to the Marvel Cinematic Universe, one could make the upheaval that the Conjuring Universe is the second most well-off multi-tiered franchise, in imitation of the majority of the features creature shockingly fine (and in their own habit contributing to the current horror boom). Corin Hardy's The Nun, however, qualifies as a misstep. One can appreciate the extreme tweak in vibes for the brand, and there utterly are a few huge jumps, but it also doesn't make you care very nearly the characters anywhere close the level of either Conjuring movie or Annabelle: Creation. Thankfully there will be an abundance of bounce back up opportunity arriving next year in the form of Annabelle 3.
25. MuteDuncan Jones' Mute is unorthodox example of unorthodox subtle sequel, as there is abandoned a brief moment in the movie that confirms that the version exists in the similar continuity as Jones' directorial debut, Moon. What's sad, though, is that this one isn't nearly as great as the Sam Rockwell-led drama. There is utterly some fabulous and pretty Blade Runner-esque production and costume design in play, as without difficulty as a fabulous against-type point from Paul Rudd, but you're left wanting a lot more from the hard-boiled plot, and from the confusing and underwritten ending.
24. Jurassic World: Fallen KingdomColin Trevorrow's Jurassic World was utterly a tainted bag, and basically J.A. Bayona responded in imitation of a tainted bag sequel of his own. There is utterly some fine stuff featured in Jurassic World: Fallen Kingdom, as the dinosaurs look great, there are some awesome sequences, and both Chris Pratt and Bryce Dallas Howard look infinitely more acceptable in their roles, but there is also a lot of bad -- in imitation of repeating the similar mistakes as the first film (why genetically modified dinosaurs?), and straight-up dumb version choices. We can abandoned wish that a sequel in imitation of a world filled in imitation of the ancient monsters can make for a far along third chapter.
23. The First PurgeThere are two primary reasons that The Purge movies work: 1) the creativity of a world defined by different rules, and 2) the horror flick satisfaction that comes in imitation of a bit of the dated ultraviolence. In both departments Gerard McMurray's The First Purge earns a huge meh. It turns out that witnessing the origins of the "no laws" scenario isn't as interesting as watching a work that has already adapted to it, and it's overall pretty anemic by franchise standards. while the themes and messaging have never been more prescient, that just makes what's put together more underwhelming.
22. fabulous Beasts: The Crimes Of GrindelwaldAs well-off as the Harry Potter franchise has been, David Yates' fabulous Beasts: The Crimes Of Grindelwald was put in a inspiring place story-wise in its development. A decision had to be made: be accessible to all audiences, even those other to the Wizarding World; or pretend to the diehard fans that most utterly exist in hordes. The feature fixed to acknowledge the latter route, which was great news for the Potterheads, but resulted in confusion for everyone else. Hopefully far along chapters get a bigger job finding a middle ground.
21. Maze Runner: The Death CureThe teen adult fad dried happening years ago, rejection franchises in imitation of Divergent to collapse and Mortal Instruments and pretty Creatures to stall at the start, but you gotta present version to Maze Runner for making it all the habit to the end. What's more, Wes Ball's Maze Runner: The Death Cure is actually pretty decent while still not creature utterly good. It's infuriating that it's unorthodox major liberal blockbuster in imitation of a "magic blood" plot device, but it also offers a mostly acceptable conclusion for both the series' overarching narrative and the majority of the characters.
20. Pacific Rim: UprisingSteven DeKnight's Pacific Rim: Uprising spent most of its existence as the cinematic equivalent of The little Engine That Could, and in imitation of it finally came out the over and done with product was... fine. There are many ways in which the movie is an press on more than the first -- from a clearer idea of its audience, to its far along pair of leads -- but it also suffers from an undercooked plot and doesn't get acceptable to benefits the world that Guillermo del Toro introduced to us back up in 2013.
19. Solo: A Star Wars StoryThe liberal generation of Star Wars was upon an awesome roll happening until 2018. The Force Awakens, Rogue One, and The Last Jedi all offered tremendous thrills, while also building upon the beloved spacious sci-fi universe. Ron Howard's Solo: A Star Wars Story, though, didn't really get that. Plagued by behind-the-scenes issues and played incorrectly upon the forgiveness schedule, the movie is nice of a mess, save for the pretend from Donald Glover as Lando Calrissian, Phoebe Waller-Bridge's excellent L3-37, and the impressive Kessel govern sequence.
18. Hotel Transylvania 3: Summer VacationLanding right square in the middle of this list we have Genndy Tartakovsky's Hotel Transylvania 3: Summer Vacation. It's utterly not the best Sony Pictures buoyancy title of the year, as Spider-Man: Into The Spider-Verse is far away superior, but it's still a delightful simulation in imitation of hilarious and delightful characters. This franchise is most utterly the best stuff that Adam Sandler is pretend these days, and it actually feels in imitation of it should be encouraged.
17. Ocean's 8It's pretty difficult to make a heist movie that isn't at the utterly least a lot of fun, and that's the basic level upon which Gary Ross' Ocean's 8 operates. It's practicing in imitation of one of the best casts of the year, including Sandra Bullock, Cate Blanchett, Anne Hathaway, Sarah Paulson, and Rihanna, but it barely skates by upon the vibes side just because it feels in imitation of the script could have used two or three more drafts. We're still commendation for Ocean's 9 and Ocean's 10 to answer the trilogy pair, but this isn't a great begin for the relaunched franchise.
16. Goosebumps 2: Haunted HalloweenFrom a marketing perspective, Ari Sandel's Goosebumps 2: Haunted Halloween was utterly hurt by not featuring more Jack Black in its advertising, if not just because it made the project look in imitation of a hack-y spin-off that wasn't acceptable to pay its predecessor's biggest star. The film was mostly ignored as a result, but it's actually half decent (and does feature Black in a much more limited role). It doesn't have the similar spark that the 2015 feature had, but it still has a collection of fun moments -- particularly for the kids.
15. Creed IISteven Caple Jr.'s Creed II is a fine movie that happens to weirdly torment yourself from creature a follow-up. The answer is that Ryan Coogler's film was clever to get a lot of special things by the natural world of creature an in-continuity reboot, including surprising the audience by having the hero lose at the end. The sequel doesn't have that nice of luxury, and is nice of predicable as a consequences -- while it does still have profusion of nice dressings, including some surprising and excellent callbacks to Rocky IV.
14. Sicario: daylight Of The SoldadoWhile not exactly one of the best films of the year, Stefano Sollima's Sicario: daylight Of The Soldado still stands as one of the bigger cinematic surprises. After all, this is a sequel that doesn't feature three key components that made the indigenous excel: director Denis Villeneuve, cinematographer Roger Deakins, and star Emily Blunt. all the same, the movie is still clever to make it work, crafting a thrilling narrative that leans upon the excellence of Josh Brolin and Benicio Del Toro.
13. Unfriended: Dark WebSearching got the majority of the attention in 2018 in imitation of it came to films in imitation of plots that utterly pretend out upon a computer screen, and a consequence of that is that Stephen Susco's Unfriended: Dark Web can now be considered one of the year's most underrated movies. It's similar to the 2014 title in that it's a horror feature in imitation of the similar aesthetic approach, but rather than pretend everything supernatural it keeps things in the real world and pulls off some genuine twists and turns that you don't look coming.
12. BumblebeeThe Transformers franchise has been meting out for more than a decade now, and since now each chapter has been anticipated in imitation of gritted teeth. But director Travis Knight has successfully turned everything on now in imitation of Bumblebee. It's a grow old film that leans heavily upon nostalgia, and the version doesn't exactly rearrange cinema, but it looks great, has some superb visual effects, and a beating heart inside all of the morphing metal. Bayhem it is not, and it sets an daring trajectory for the far along of these movies.
11. Mary Poppins ReturnsWith the indigenous having been released in 1964, Rob Marshall's Mary Poppins Returns is the sequel upon this list in imitation of far away and away the most disaffect from its predecessor -- but portion of what makes it special is that watching the movie you don't vibes it at all. Instead, you vibes in imitation of you're locked in a grow old bubble, taken away in imitation of the Banks kids upon a fanciful and bright adventure full of radiant 2D cartoons and endless whimsy. Emily Blunt is -- I'm going to tell it -- very nearly perfect in all habit as the eponymous nanny, and could utterly easily become an icon for generations the similar habit that Julie Andrews did.
10. AquamanAudiences spent 11 months stewing in the disappointment that was Justice League, and it didn't exactly make an way of being of high expectations for James Wan's Aquaman. As it turns out, though, that low bar may have been a real gift, as unlike some of the other features upon this list, this is a blockbuster that goes above and more than in the crowd-pleaser department. while his roots are in horror, Wan has a real present for constructing a thrilling pretend sequence, and the world introduced here is breathtaking. Suddenly, the far along is utterly shining for Jason Momoa and the DC lengthy Universe.
9. Ralph Breaks The InternetRich Moore and the folks at Walt Disney buoyancy Studios created a phenomenal other world filled in imitation of video game characters in 2012 in imitation of Wreck-It Ralph, and Moore and Phil Johnston's Ralph Breaks The Internet is a fabulous follow-up to that story. In auxiliary to in imitation of another time creating unorthodox startling visual environment, bringing to simulation the world broad web, it's also a perfect continuation of the arcs for both Ralph (John C. Reilly) and Vanellope (Sarah Silverman) -- having the characters promenade away as utterly different people than who they were at the begin of the story.
8. Ant-Man And The WaspMarvel Studios had a pretty damn awesome year. You may have noticed that we haven't touched upon any of their contributions to 2018 just yet, and it's because they are all in the summit 8 -- starting in imitation of Peyton Reed's Ant-Man And The Wasp. This is utterly the odd-ball series within the larger Marvel Cinematic Universe franchise, but it's also a ridiculous amount of fun, in imitation of Paul Rudd's Scott Lang and Evangeline Lilly's wish van Dyne sent upon a crazy, madcap adventure and helpfully having a blast the entire habit through.
7. Incredibles 2Fair warning: this summit 10 is 60 percent superheroes, while Brad Bird's Incredibles 2 is the abandoned bustling entry. This is a film that went through press on shockingly speedily compared to most Pixar projects, but that just makes it all the more awesome that it's as excellent as it is. It's a fitting continuation of the original, advancing the battle next to Super oppression in a other and different way, while also pretend a nice role different in imitation of Mr. incredible (Craig T. Nelson) and Elasti-Girl (Holly Hunter), letting them study other areas narratively. We won't sustain out wish for an Incredibles 3, but we'd all right it in imitation of right to use arms as long as Bird is at the helm.
6. Paddington 2Between Mary Poppins and Paddington, this was a great year for characters in London wearing blue coats and red hats. Director Paul King first delivered an incredible becoming accustomed of the timeless kids' books in 2014, and in imitation of Paddington 2 he's created a sequel that is arguably superior. It's super cute, weird, and charming, and has some fabulous other additions, in imitation of Hugh succeed to and Brendan Gleeson. These movies deserve to be instant classics, as they are the perfect intimates films -- easily enjoyed by audiences of all ages.
5. HalloweenSimilar to The Predator, Michael Myers has existed as a genre icon for decades, despite the fact that most of the films made very nearly him have been pretty terrible. But while that wasn't a disrupted trend for the apex extraterrestrials in 2018, things did point on in a major habit for the psychopathic, knife-wielding killer. David Gordon Green's Halloween is an exceptional bit of franchise filmmaking, in that it finds a habit to rave review and veneration the legacy while also rewriting the combined thing. Jamie Lee Curtis delivers one of the best performances of her career, and even in imitation of it's scaring you it simultaneously makes you want to hop out of your seat and cheer.
4. Black PantherChadwick Boseman's T'Challa also known as Black Panther got a startling commencement in 2015 in imitation of Captain America: Civil War, but still it didn't adequately prepare us for what Ryan Coogler would have in collection for us in imitation of the character's first ever solo adventure. The world of Wakanda is a stunning, and dream-like vision, and the version packs an awesome punch while addressing issues that really abandoned a Black Panther movie could forward in the superhero realm. Michael B. Jordan's Erik Killmonger makes for one of the great comic wedding album movie villains that we've seen, and Lupita Nyong'o, Danai Gurira, and Letitia Wright have created a trio of characters in Nakia, Okoye and Shuri that teen girls will be looking happening to for generations.
3. Mission: Impossible - FalloutEscalation in the Mission: Impossible franchise has really gotten out of hand... in a fine way. Each movie is basically required to try and happening stakes from the last one -- specifically in imitation of utterly real and utterly risky turns in the air -- and it's mind-boggling to watch Christopher McQuarrie's Mission: Impossible -- Fallout and get how far away the films have come. Not abandoned are the pretend set pieces glorious -- from jumping out of planes, to motorcycle chases, to mid-air helicopter battles -- but the performances by Tom Cruise, Simon Pegg, Rebecca Ferguson, Ving Rhames, and Henry Cavill also make the film endlessly fun and engaging.
2. Deadpool 2In today's context, it's crazy to think that four years ago 20th Century Fox wasn't acceptable to put a dime towards a Deadpool movie. Now, not abandoned is the vibes the most popular box office fascination in the X-Men stable, but he's been at the front of two absolutely spectacular films. David Leitch's Deadpool 2 is a phenomenal sequel that delivers in the best way, guided by the vision of Rhett Reese, Paul Wernick and Ryan Reynolds, as it perfectly capitalizes upon everything that's great very nearly its predecessor while throwing in other excellence in imitation of Cable (Josh Brolin) and Domino (Zazie Beetz) into the mix. The pretend is phenomenal, the performances are first-rate, and it's hilarious throughout.
1. Avengers: Infinity WarJoe and Anthony Russo's Avengers: Infinity warfare basically earns the summit spot upon this list by creature the uber-sequel. No film since it has ever been informed by in view of that many previous blockbusters, the continuity of the Marvel Cinematic Universe all coming to a head in two-and-a-half hours, and it's shocking and spectacular to look how without difficulty it all coalesces. while there are many superheroes in the air around, this is Thanos' (Josh Brolin -- three features in the summit 15!) grow old to shine, and it's an epic and unforgettable ride in imitation of the rare distinction of creature a version where the protagonist claiming victory is utterly devastating. It's powerful, incredible movie magic, and the best sequel of the 2018.
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Last August, I was the first to offer that the Rian Johnson Star Wars trilogy had been canceled, and now nine months later, a new rumor offers the same.. The rumor doesn't come from the best source, but at least it backs up my claims that the Rian Johnson Star Wars trilogy is dead and done for, a good thing.
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While the first details about the new X-Men movie, Dark Phoenix, were originally released all the way back in December 2017 that was when the film was still scheduled for release in 2018. A few months later the project was bumped to next year, and it's been silent ever since - but after a long wait we finally got the first trailer earlier tonight.
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